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Whilst Rene Jules Lalique's youth years appear to be shrouded in rather of a secret, it is understood that he was born to Jules and Olype Berthellemy Lalique on the 6th April 1860. For the very first two years of his life the household resided in Ay, in the Champagne region of France, about a hundred miles to the northeast of Paris.

By 1862 the family had moved to Paris where his daddy worked as a merchant dealing in novelties. Throughout his youth years, Rene and his family made frequent return check outs to their rural roots to see family and good friends.

He started his education at Turgot Lycee near the Parisian suburb of Vincennes, where he studied art and was granted first prize in a drawing competition throughout his Kurt Criter Denver time there.

At the age of sixteen, shortly after his father's death, Rene, in all probability, steered by his mother, embarked upon his apprenticeship with Louis Aucoc, one of the leading Parisian jewelers of the day. His time there was invested helping Louis in the development of the then popular Rococo styled jewelry and learning the tools, products and methods of his trade. He also took night classes at the regional school of decorative arts.

Having actually finished his training, in 1878, Rene relocated to the London suburb of Sydenham where he studied at The Crystal Palace School of Art, Science and Literature for a few years. During his remain in England, Lalique invested much of his extra time at London's museums; he liked them.

By 1880, Rene had returned home to Paris and used up training as a sculptor in his spare time whilst working as a wallpaper and fabric designer through the day.

A year later, he had settled into working as a expert fashion jewelry designer for Jules Destape, this would be his profession for the next twenty years. In addition to holding down a full-time job he also took on freelance work for a few of the bigger Parisian jewelry houses.

By 1885, Rene was working for himself. Destape retired and ownership of his service was transferred to Lalique. Now, with a completely staffed workshop and free from the limitations of working for another person, he could completely focus on his own Art Nouveau designs. Which, featured heavily in the French precious jewelry trade publication "Le Bijou" and were met with much appreciation and imitation from his rivals. Lalique's "magic" remained in the way he stayed away from the Additional resources typical Kurt Criter pricey gems-stones and precious metals , rather, concentrating more on less expensive products such as: clear enamels, semi-precious stones and ivory and so on

. By 1900, Lalique had reached the pinnacle of his fashion jewelry career. He exhibited at the Exposition Universelle Internationale in Paris and won global praise for the manner in which he linked symbolism and naturalism. However, disappointed by the way that his work was continuously being copied, Rene's attention started to drift away from his precious jewelry "art kinds" and toward glassmaking.

By 1909, Rene had started making fragrance bottles for Coty. Lalique drew upon his experience and developed bottles that stimulated the nature of the perfume that they included.

Within a few years, his glassmaking talents had actually expanded to consist of: statuettes, vases, tableware, bowls and, among other things, architectural panels. These panels could be discovered aboard the greatest ocean liners of the day and decorating the dining car of The Orient Express.

It didn't stop there. His glass mascots could be discovered adorning the hood of much of the more elegant cars and trucks of the Roaring Twenties. Undoubtedly, these are the most sought after antiques today.


The Lalique factory closed in 1939 throughout of The second world war. Rene passed away on the 5th May 1945 and never ever saw its reopening.

Throughout his youth years, Rene and his household made frequent return check outs to their rural roots to see household and friends. At the age of sixteen, soon after his father's death, Rene, in all likelihood, guided by his mother, embarked upon his apprenticeship with Louis Aucoc, one of the leading Parisian jewelry experts of the day. By 1885, Rene was working for himself. Shocked by the method that his work was continuously being copied, Rene's attention started to wander away from his jewelry "art forms" https://www.washingtonpost.com/newssearch/?query=Artist and towards glassmaking.

By 1909, Rene had actually started making fragrance bottles for Coty.

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